Global unions, guilds emphasize ethical use.

A global coalition of screenwriters’ organizations and unions, including the Writers Guild of America East and West, has collectively decided to advance a “stronger licensing mechanism” that requires express consent if writers’ content be used to train AI tools.

The Federation of Screenwriters in Europe and the international association of Writers Guilds are set to announce on Thursday that they have adopted a joint resolution on the ethical use of AI. The resolution, in part, calls on member groups to achieve the goal by 2024 that “only intellectual property licensed for such use shall be used in commercialized LLMs, or any other existing or to be included in future forms.”

The resolution also calls on groups to work to prevent any type of AI from replacing writers, pushing for transparency measures that inform writers whether AI is used in writing services such as polishing or Used to rewrite, to advocate copyright. given to humans and to promote “adequate compensation for the use of authors’ intellectual property in LLM or any other current or future forms of AI.”

Collectively, these groups represent approximately 67,000 professional writers worldwide. The Federation of Screenwriters in Europe consists of 26 organizations dedicated to screenwriters, including unions, guilds and associations from 21 European countries. The International Association of Writers’ Guilds counts 14 international writers’ guilds as members, including the WGA East and West, the Writers’ Guild of Great Britain, the Writers’ Guild of Canada, the Screenwriters’ Guild of South Korea and the Société des auteurs de radio. Includes television. and cinema.

The resolution calls for these organizations to achieve their AI goals through collective bargaining, lobbying and “mandatory clauses in standard contracts.”

According to IAWG chair and Irish screenwriter Jennifer Davidson (Fair City), serving as a starting point for the AI ​​conservation groups secured by WGA East and West during the 2023 writers’ strike. “IAWG members want to build on the hard-won protections our sister guilds in America, the WGAE and WGAW, were able to achieve during their strike: that is, it should be a means of expanding our writing process, not less our Value the work or replace us,” he said in a statement.

Meanwhile, FSE president and German screenwriter Caroline Otto (Lena Lorenz) noted that the EU’s AI Act, which is due to become law later this year, has “unresolved issues regarding the unauthorized use of our intellectual property to train large language models, and Uncertainty exists regarding the authorship and copyright of the machine-generated script. Content.” “We intend to express our concerns in the fields of national and global policy as well as produce the standard language film and television writers can demand in their contracts,” he added.

After a punishing round of negotiations with top Hollywood studios and streamers and a 148-day strike, the WGA East and West in 2023 won credit, transparency and flexibility protections when it came to AI. The contract didn’t ban the use of AI — writers could still use it as a tool if their employer allowed it, and studios could ask writers to work with AI, but It doesn’t have to – but it does require both parties to disclose anything. Use of technology. Additionally, the unions affirmed that AI is not an author and cannot pen “literary material,” and that any use of AI would not alter authors’ credit or compensation.

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